A Work of Art That Has a Lot of Texture
Arts
Analyzing the Elements of Art | Vii Ways to Think Near Texture
Analyzing the Elements of Art: Half-dozen Ways to Think Virtually Texture
Welcome to the 5th piece in our Vii Elements of Art series, in which Kristin Farr of KQED Art Schoolhouse helps students make connections between formal art instruction and our daily visual culture.
Here are the other lessons in the serial: shape , course , line , color , infinite and value .
Seeing is Feeling: Texture in Art
Prototype 
Texture: you know it when you feel it on a physical surface, merely exercise you know how to describe the textures of an artwork, compages or even a song?
Simply like iii-dimensional forms, texture can be existent or implied.
Real, tangible texture tin exist created through endless tactile possibilities: cutting, building, tearing or layering of materials, for case. Implied texture is created using other elements of art, including course, line, shape and color.
Revisit our previous posts near the elements to get a sense of how they tin can be combined to create visual imagery with texture that makes an impact.
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Texture on the Motion
Nick Cave stages a Soundsuit "invasion" in the Brightmoor neighborhood as part of "Here Hear."
Credit... PD Rearick/Courtesy of Cranbrook Fine art Museum-
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Nick Cave stages a Soundsuit "invasion" in the Brightmoor neighborhood as part of "Here Hear."
Credit... PD Rearick/Courtesy of Cranbrook Art Museum
Real or actual texture tin dramatically enhance a piece of work of fine art. The artist Nick Cavern creates Soundsuits, clothing creations that are meant to move. His Soundsuits come in all shapes, sizes and textures, and the texture contributes to the sound the suits brand.
Get a closer look at the texture of his work in the slide testify above, Nick Cave Revisits Detroit, Soundsuits in Tow, and come across how these vesture sculptures motility in the video Bridging Dance and Art. Or watch this video of Mr. Cave'due south horse-like Soundsuits Galloping Through One thousand Key. What material is used to create the texture of the suits? How is the texture emphasized? How does information technology contribute to the effect of the performance?
What kind of three-dimensional object could you create using textures that yous can hear? What kind of materials could you lot attach to a person or object to create emphasized texture and movement?
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Existent Texture: Describe It
Image
Which types of art materials offer the widest variety of textures? Consider the images in this slide show, The Art of Clay, and list all of the textures you see in each image. Do some of the objects have more than one texture? How many different adjectives can you remember of to describe the texture of each object? Get artistic with your descriptions. Yous can even create your ain adjectives to describe the endless types of texture in art and all around us in everyday objects and landscapes.
Look closely at the images in the Art Auctions' Blue Chip Period slide show. How many textures tin can yous spot and proper name? Are they existent or implied? Tin can textures exist both existent and unsaid?
Aside from painting and visual arts, texture can be found in other industries, such equally style and photography. Texture is an "essential edifice block" for way and mode. See how many textures you can discover and proper noun in this visual diary from New York Fashion Week. In one case you lot've described all these textures using known and fabricated-upwardly adjectives, brand a poem or vocal out of your list of descriptive words.
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Implied Texture: Compare/Contrast
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Look closely at the painting in a higher place. How does it suggest, or imply, texture? How might the different parts of the paradigm "feel"? Why?
For Roberto Burle Marx, the Brazilian mural architect who created it, "painting and landscape design were inseparable, if not identical, art forms," writes the Times critic Kingdom of the netherlands Cotter in this appraisement of Mr. Marx'southward piece of work. The prototype higher up, a garden plan for the Ministry building of the Army in Brasília, is meticulously colour-coded, and the gardens that resulted actually reproduced, in plots of vegetation and crushed stone or painted pavement, the precise colors and shapes in this study.
Next, take a await at the colorful, busy paintings of Erik Parker in the slide show, Heart-Popping Art. Which of the other six elements of art does he use to create implied texture? Line? Shape? Course? Color? All of the above? How would you describe the implied texture of his paintings? Do the images seem smooth or rough?
To compare and contrast, view some historical paintings past Courbet, Bellini and Guston, whose works range from the 15th century to the 20th. Are the techniques these master painters used to create texture similar or different from Mr. Parker'southward? What if an artwork has congenital-up layers of pigment? Would you consider the texture real or implied? In your opinion, does the use of texture make a painting more believable or "real?"
For instance, here is a painting by Julia Rommel:
Epitome
Co-ordinate to this article,
She worked on her pieces for months, painting layer upon layer, wiping, sanding, sometimes cut, repainting, stretching and restretching the canvases on stretcher confined over and over again. The ensuing images are thick expanses of color interrupted by wrinkles, folds, staple holes and embossed indentations.
Are these textures real, or unsaid?
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Photographic Texture
Prototype
Photographs explore both existent and implied texture — the photograph contains memories of textures captured in a freeze-frame moment. Which everyday elements create texture in the black-and-white photographs of 1958 New York featured in the article A Son's Sleuthing, a Begetter's Archive, and Capote's Vanished Brooklyn? These images, taken by the famed lensman David Attie, were originally shot for Vacation magazine. How is texture created in these images? When is the texture created past a tangible object similar stairs or concrete, and when is the texture created using calorie-free and angles? How do form and space help to create texture?
How is texture emphasized in these pictures? Describe the textures yous see and consider how they might contribute to the idea or moment Mr. Attie was trying to capture in Brooklyn at the time.
And so, further practice investigating further past scrolling the Lens Blog, our weekly What'southward Going On in This Picture? characteristic, or the absorbing archival photography in The Lively Morgue, a Tumblr featuring interesting images taken by Times photographers over the last century.
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Textures in Nature
The rendering of real objects can be implied using texture, even when the image leans toward abstraction. Texture can help identify the objects artists paint, which often serve as interpretations of real life. In her review of a painter'due south natural scenes, Sally Michel, Landscapes of Color and Texture, Roberta Smith wrote:
"Her mount and lake views are actively worked in contrasting textures and patterns. In 'Wood Edge,' numerous greens are painted over one another, as if to bespeak dissimilar species of trees. Sometimes, every bit in 'Field in Hilly Landscape,' a blanketing wood is enlivened past tiny bits of blank canvas that suggest light or move."
Which elements of nature do Ms. Michel's painted textures convey? Though bordering on abstract, the textures assistance brand the elements recognizable as role of a mural.
Browse through paintings by master painter Claude Monet in the slide show Claude Monet: Tardily Work. What kind of natural elements did Monet describe using texture? How is his use of texture to portray nature unlike than Ms. Michel's? What kinds of textures are found just in nature? What kinds of textures are human being-made?
Next, look at the work of Alma Thomas in Ken Johnson's review, Alma Thomas, an Incandescent Pioneer. Ms. Thomas paints landscapes as well as abstract images. How does she use texture in her artwork? What do her textures emphasize? What do they remind you of?
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A Times Scavenger Hunt for Texture
Image
Now that you've expanded your vocabulary for describing textures, start looking for them all around yous in The New York Times Fine art & Design section — or elsewhere on NYTimes.com, like this T Mag piece almost "Art Objects that Blur the Line Between Natural and Artificial" — and challenge yourself to a scavenger hunt. Run across if you can discover images of artworks or photographs with the following characteristics:
• Texture that is implied but non existent.
• Existent texture that can exist felt physically.
• An artwork with a combination of real and implied texture.
• Something bumpy, something smoothen, something soft and something scaly.
• Collect images for each item on the scavenger hunt listing and create a digital collage.
• A place to commencement? The images in "Art Autumn Preview: From East Coast to Due west Coast. From Concrete to Ethereal."
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Your Plough: Texture Books
Now that yous've practiced scavenging images of all different textures online, it's time to get serious well-nigh your collection and create a "texture book" that focuses on images and textures, rather than text, similar a movie volume. Choose to continue the texture scavenger hunt through photography, found objects and craft materials, or cartoon/painting:
Photography - Detect at least x different textures to photograph up close. Collect a wide multifariousness of colors and textures and curate a drove of images that emphasizes the many different textures nosotros meet every solar day (and the rare ones, besides). Once y'all have a nice grouping of images, create a collage digitally or with prints of your photographs.
Institute objects and craft materials — For a more than tactile approach, collect fabric and other chip materials of ten different textures. Focus on scraps that are on the flatter side and easy to display in book grade. Alternatively, yous can experiment with arts and crafts materials. For example, utilize newspaper-cutting techniques, or gum flat objects to newspaper to create your 10 different texture pages. Find a manner to creatively bind your pages together — another opportunity to add texture!
Drawing/Painting - Maybe the most challenging approach, try cartoon or painting a variety of 10 unlike implied textures and compile them into a volume format. If you cull, you can add informative text to the pages to describe each texture or to serve as a title for your drawings and paintings.
Source: https://www.nytimes.com/2016/10/13/learning/lesson-plans/analyzing-the-elements-of-art-seven-ways-to-think-about-texture.html
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