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How Are Art Visual Communication and the World Connected

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Lord's day/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've ever taken an art history grade or spent time in a fine arts museum, chances are you know a lot about the men who "defined" their mediums. As with other subjects, most of what we larn about art history today yet centers on white men from Europe and, after, the Usa. In reality, there are then many more artists of all genders to learn from and capeesh.

Here, we're specifically taking a look at just some of the women who have had lasting impacts on their fine art forms. From some of the art world'southward virtually iconic pioneers to its most unsung heroes, these women artists all had a paw — and, in some cases, still accept a hand — in changing the world of fine art and how we define it.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an artist and educator who taught at Cheyney Academy in Pennsylvania for more than xxx years. Afterwards studying the work of painters similar Cézanne and Monet while abroad, she returned to the United States, becoming best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman's Untitled Motion-picture show Stills (1977–fourscore). series. Photos Courtesy: Museum of Modern Art (MoMA)

Photographer Cindy Sherman was part of the Pictures Generation during the 1980s, and is peradventure about well known for her serial of Untitled Film Stills (1977–80) — cocky-portraits in which Sherman "posed in the guises of various generic female moving-picture show characters, among them, ingénue, working girl, vamp, and solitary housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media's influence over our private and collective identities.

Yoko Ono

A still from the performance Cut Piece, 1964, and a picture show of the installation One-half-A-Room, 1967, equally seen at the Museum of Modern Art in New York City in 2015. Photos Courtesy: Museum of Modernistic Art (MoMA)

You lot might kickoff retrieve of Yoko Ono as a musician and activist, but she'due south too an achieved operation and conceptual creative person. Ono was considered a pioneer in the operation art movement, earning the nickname the "High Priestess of the Happening".

One of her most revered works, Cutting Piece, was a performance she showtime staged in Japan; Ono saturday on stage in a overnice suit and placed scissors in front of her, and, in an act of daring vulnerability, invited audition members to come on phase and cutting away pieces of her clothing. "Art is similar breathing for me," Ono has said. "If I don't practise it, I start to choke."

Betye Saar

Betye Saar's Blackness Girl's Window, 1969 (total and detail). Photos Courtesy: Museum of Mod Art (MoMA)

Before becoming a printmaker and activist, Betye Saar studied design and was employed as a social worker. A printmaking constituent changed her entire career trajectory — and, in plow, function of the trajectory of fine art history.

Saar was part of the Black Arts Motility in the 1970s and, through painting and aggregation, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the trick is to seduce the viewer," Saar has said. "If you tin can become the viewer to look at a piece of work of art, then y'all might be able to give them some sort of message."

Frida Kahlo

People look at Frida Kahlo'southward 1939 painting Las Dos Fridas at the World Forum of Civilisation in 2007, which was held in Mexico. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

It'south rare to find someone who hasn't at least heard of Frida Kahlo. A self-taught painter from Mexico, she is best known for exploring themes like expiry and identity through her self-portraits. Kahlo often used assuming, bright colors to create her symbol-rich works, and was regarded as one of the most influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors exhibit at the Hirshhorn Museum Feb 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young age, only she's too known for her hyper-real sculptures, polka dots, installations, and so much more. Similar many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms serial, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Onetime Commencement Lady Michelle Obama (L) and artist Amy Sherald (R) unveil Mrs. Obama'south portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on February 12, 2018. Photo by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, often doing everyday activities — something that became more than mutual in portraiture writ big in the mid-19th century. Odds are that you recognize Sherald's work — and her signature grayscale pare tones — every bit she was the first Black woman to complete a presidential portrait for the Smithsonian'south National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a piece of work from her serial, Pelvis Series Red With Xanthous in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known equally the mother of American modernism, yous likely associate Georgia O'Keeffe with her paintings of New United mexican states's landscapes, flowers, skulls, and, simply maybe, the skyscrapers of New York Urban center. In the 1920s, she was the first woman painter to proceeds the respect of the New York art world, all by painting in her unique manner.

Adrian Piper

Adrian Piper wins the Gilded Lion for all-time creative person in Okwui Enwezor's biennial exhibition All the World's Futures, part of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York City. She used her work to question lodge, identity, and racial politics by enervating the audience to confront truths about themselves. She ofttimes challenged people on the streets of New York to approximate her race, socio-economical class, and gender — all while dressed as a Blackness man with a false mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat's poses in front of a photograph in her exhibition Our House Is on Fire at the Robert Rauschenberg Foundation in New York City in 2014. Photo Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Islamic republic of iran in 1974 to study fine art in Los Angeles, California — before the Iran Islamic Revolution took place. She is all-time known for her photography, film, and video piece of work, much of which explores the relationship between Islam's cultural and religious systems and women. Moreover, Neshat's works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front of her installation at the Guggenheim Museum. Photograph Courtesy: Marianne Barcellona/Getty Images

Every bit a neo-conceptual artist, Jenny Holzer'south piece of work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that act as meditations on various concepts, such as trauma, knowledge, and promise. I of her more than notable works, I Smell You lot On My Pare, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photo Courtesy: Art Gallery of Ontario (AGO)

Much of Rebecca Belmore'southward art addresses identity and history — and, in particular, houselessness and the voicelessness of the Kickoff Nations People in Canada. Every bit an Anishinaabekwe artist, she works to raise awareness effectually the prejudice, violence, and attempted erasure of Indigenous North American culture. In 2005, she was the get-go Ethnic woman to represent Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Conservative' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is meliorate known for her installation art and sculptures — like the spider above — which were inspired past her own experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual fine art were the main styles shaping the art earth.

Mickalene Thomas

Mickalene Thomas' A Little Sense of taste Outside of Love, 2007. Photograph Courtesy: Brooklyn Museum

Heavily influenced past pop civilization and pop art, Mickalene Thomas often embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago'due south seminal work The Dinner Party. Photograph Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures inside the early Feminist Art move. As exemplified in her iconic work The Dinner Party, her installation pieces ofttimes examine the role of women in history and civilisation — in the 1970s and before. While at California Land University in Fresno, Chicago founded the first feminist art plan in the U.s..

Augusta Savage

Augusta Savage with one of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Athenaeum of American Fine art/Wikimedia Eatables

Augusta Barbarous was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In addition to creating scenic sculptures, often of Black folks, Brutal founded the Cruel Studio of Arts and Crafts in Harlem in 1932, and, a few years afterward, she became the beginning Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Mod Fine art (MoMA)

Known for her provocative performance fine art practices, Carolee Schneemann is considered the progenitor of "body art". (Just expect up her most famous piece of work, Interior Curlicue, and you'll see what we mean.) She used her torso to examine women's sensuality and liberation from the oppressive aesthetic and social conventions established by our patriarchal society.

Nan Goldin

Nan Goldin'south Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin'southward work challenges traditional power relations. In add-on to documenting New York City's queer subculture mail service-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) by Elaine Sturtevant. Photograph Courtesy: Ben Stanstall/AFP/Getty Images

Does this look similar an Andy Warhol to y'all? Well, that'southward the idea! Elaine Sturtevant, who went past her last name professionally, was a conceptual artist known for her inexact replicas — that is, not-quite-right copies of big-name artists' piece of work.

Some artists and critics encouraged her efforts, while others became quite aroused. Nevertheless, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art culture.

Ruth Asawa

Various hanging sculptures by Ruth Asawa at the De Young Museum in San Francisco. Photograph Courtesy: View Pictures/Universal Images Grouping/Getty Images

During the 1960s, Ruth Asawa created increasingly circuitous wire sculptures. A San Francisco-based artist, Asawa's last public commission was the Garden of Remembrance at San Francisco Country University, which was created to recognize Japanese Americans who were interned during World State of war Two.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November 8, 2007 in New York City. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and mural photography, Catherine Opie has been a photographer since the historic period of nine. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — but in a way that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Still from Sin Sol (No Lord's day) VR game. Photograph Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and assistant professor who won an Impact Award at the Indiecade Festival in 2020 and the Creative Honour from the Gender Justice League in 2016. She believes instruction is the path to liberation and uses VR and art to accost global issues such as racism, gendered violence, and climate change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Assistants (WPA).

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